Hans Haacke und Pierre Huyghe
Ursula Ströbele
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Geisteswissenschaften, Kunst, Musik / Kunstgeschichte
Beschreibung
Since the 1960s, artists have questioned the traditional idea of opposition between art and nature. They have incorporated animals and plants as co-actors in their work, and so established a sculptural aesthetic of the living, which called for a redefinition of the sculptural genre. This study is the first to examine so-called Non-Human Living Sculptures using the examples of Hans Haacke and Pierre Huyghe. Following a re-reading of the historiography of modernist sculpture, the author re-evaluates and expands on existing theories in individual work analyses. She shows how Haacke’s real-time systems, determined by US systems theory, biology and cybernetics, as well as his rejection of the object aesthetic have shaped contemporary positions such as Huyghe’s situational-aesthetic works.
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First comprehensive academic study of socalled Non-Human Living Sculptures
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Re-reading of the historiography of 20th century sculpture
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Sculptural aesthetics of the living
Kundenbewertungen
Kunst, Pierre Huyghe, 20th century, Ästhetik des Lebendigen, Non-Human Living Sculpture, art and ecology, Non-Human Living Sculptures, 20. Jahrhundert, temporary art works, 21. Jahrhundert, art, contemporary art, temporäre Kunst, Hans Haacke, sculpture, 21st century, zeitgenössische Kunst, Kunst und Ökologie, Skulptur