![Cover Naughty Girls and Gay Male Romance/Porn: Slash Fiction, Boys' Love Manga, and Other Works by Female "e;Cross-Voyeurs"e; in the U.S. Academic Discourses](https://cdn.libreka.de/cover/cae80531-71e7-43ec-aa61-dcb1895c1d15/m "Naughty Girls and Gay Male Romance/Porn: Slash Fiction, Boys' Love Manga, and Other Works by Female "e;Cross-Voyeurs"e; in the U.S. Academic Discourses")
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Naughty Girls and Gay Male Romance/Porn: Slash Fiction, Boys' Love Manga, and Other Works by Female "e;Cross-Voyeurs"e; in the U.S. Academic Discourses
Carola Katharina Bauer
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Geisteswissenschaften, Kunst, Musik / Allgemeine und Vergleichende Sprachwissenschaft
Beschreibung
Despite the fact that there actually exists a large number of pornographic and romantic texts about male homosexuality consumed and produced by American women since the 1970s, the "e;abnormality"e; of those female cross-voyeurs is constantly underlined in U.S. popular and academic culture. As the astonished, public reactions in the face of a largely female (heterosexual) audience of "e;Brokeback Mountain"e; (2005) and "e;Queer as Folk"e; (2000-2005) have shown, a woman's erotic/romantic interest in male homosexuality is definitely not as accepted as its male counterpart (men consuming lesbian porn). In the academic publications on female cross-voyeurs, the application of double standards with regard to male/female cross-voyeurism is even more obvious. As Karen Hellekson and Kristina Busse note in their "e;Introduction"e; to "e;Fan Fiction and Fan Communities in the Internet"e; (2006), slash fiction - fan fiction about male homosexual relationships mainly produced and consumed by women - has stood in the center of fan fiction studies so far, despite being merely a subgenre of it. The reason for this seems to be an urge to explain the underlying motivations for the fascination of women with m/m romance or pornography within the academic discourse - a trend which differs completely from the extremely under-theorized complex of men interested in "e;lesbians."e; It is this obvious influence of conventional gender stereotypes on the perception of these phenomena that provokes me to examine the way in which the works of female cross-voyeurism and their consumers/producers are conceptualized in the U.S. scholarly accounts. In many ways, this thesis explores unknown territories and respectively tries to take a closer look at academic problems that have not been adequately addressed yet.
![Cover “[E]in neues Reis [im] […] Stamm des Dramas”?](https://cdn.libreka.de/cover/f56897cf-9c11-4ff8-8deb-d5655c79ee9f/m "“[E]in neues Reis [im] […] Stamm des Dramas”?")
