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Francis Bacon's Nanny

Malylis Besserie

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Beschreibung

At the very centre of the life of one of the twentieth-century's greatest artists was the most unexpected of life-long influences. The aptly named Jessie Lightfoot shielded the young Francis Bacon from the brutish violence of his bullying father, as well as from his worst self-immolating excesses later in life. The tenderness, wit and warmth of this inimitable Nanny stands in illuminating relief to the sulphurous palette that defined Bacon's work. Beyond the humour and heart of this extraordinary woman - who finds herself confronted with the shade and guile of the artworld - Maylis Besserie also gives us a glimpse of Ireland in the first half of the twentieth century, both a powder keg and a place apart from the rest of the world, whose landscapes, imagery and animals haunted the famous painter's canvases. In the final of Maylis Besserie's Irish-French trilogy, her preoccupation with the art and lives of artists who crossed borders between France and Ireland has a fitting climax as Bacon confronts the boundaries between the real and the imagined.

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Schlagwörter

notre dame, maylis besserie, brodeaux, fiction in translation, french writer, dermot bolger, Fiction, les amours dispersees, scattered love, le tiers temps, la nourrice de francis bacon, bacon art, art, 20th century art, gallimard, Francis Bacon, french fiction, scott moncrieff, cliona ni riordain, yell sam, irish french, lilliput press, colum mccann, yell sam if you still can, france, prix goncourt, Ireland, france culture, yeats, Jessie Lightfoot, john banville, samuel beckett