Leseprobe
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Theology of Wagner’s Ring Cycle I
Richard H. Bell
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Ratgeber / Singen, Musizieren
Beschreibung
Wagner's Ring is one of the greatest of all artworks of Western civilization, but what is it all about? The power and mystery of Wagner's creation was such that he himself felt he stood before his work "as though before some puzzle." A clue to the Ring's greatness lies in its multiple avenues of self-disclosure and the corresponding plethora of interpretations that over the years has granted ample scope for directors and will no doubt do so well into the distant future. One possible interpretation, which Richard Bell argues should be taken seriously, is the Ring as Christian theology. In this first of two volumes, Bell considers, among other things, how the composer's Christian interests may be detected in the "forging" of his Ring, looking at how he appropriated his sources (whether they be myths and sagas, writers, poets, or philosophers) and considering works composed around the same time, especially his Jesus of Nazareth.
Kundenbewertungen
ART, Richard, 1813-1833, Richard H. Bell, Individual Composer and Musician, History, Christianity, Music, bands and groups, Musicians, Wagner, Theology, Literature and the Arts, Composers and songwriters, History of art, Ring des Nibelungen, Theology of Wagner’s Ring Cycle I, singers, Religious aspects, The arts: general issues