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Comic Art in Museums

Kim A. Munson (Hrsg.)

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University Press of Mississippi img Link Publisher

Sozialwissenschaften, Recht, Wirtschaft / Medienwissenschaft

Beschreibung

Contributions by Kenneth Baker, Jaqueline Berndt, Albert Boime, John Carlin, Benoit Crucifix, David Deitcher, Michael Dooley, Damian Duffy, M. C. Gaines, Paul Gravett, Diana Green, Karen Green, Doug Harvey, Charles Hatfield, M. Thomas Inge, Leslie Jones, Jonah Kinigstein, Denis Kitchen, John A. Lent, Dwayne McDuffie, Andrei Molotiu, Alvaro de Moya, Kim A. Munson, Cullen Murphy, Gary Panter, Trina Robbins, Rob Salkowitz, Antoine Sausverd, Art Spiegelman, Scott Timberg, Carol Tyler, Brian Walker, Alexi Worth, Joe Wos, and Craig Yoe

Through essays and interviews, Kim A. Munson’s anthology tells the story of the over-thirty-year history of the artists, art critics, collectors, curators, journalists, and academics who championed the serious study of comics, the trends and controversies that produced institutional interest in comics, and the wax and wane and then return of comic art in museums.

Audiences have enjoyed displays of comic art in museums as early as 1930. In the mid-1960s, after a period when most representational and commercial art was shunned, comic art began a gradual return to art museums as curators responded to the appropriation of comics characters and iconography by such famous pop artists as Andy Warhol and Roy Lichtenstein. From the first-known exhibit to show comics in art historical context in 1942 to the evolution of manga exhibitions in Japan, this volume regards exhibitions both in the United States and internationally.

With over eighty images and thoughtful essays by Denis Kitchen, Brian Walker, Andrei Molotiu, Paul Gravett, Art Spiegelman, Trina Robbins, and Charles Hatfield, among others, this anthology shows how exhibitions expanded the public dialogue about comic art and our expectation of “good art”—displaying how dedicated artists, collectors, fans, and curators advanced comics from a frequently censored low-art medium to a respected art form celebrated worldwide.

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Schlagwörter

Carol Tyler, Gary Panter, Metropolitan Museum of Art, Jack Kirby, Trina Robbins, Roy Lichtenstein, comics, Misfit Lit, Snow White, The Comic Art Show, Art Spiegelman, comics as art object, Jonah Kinigstein, R Crumb Genesis, American Cartooning, critic, Hammer Museum, Will Eisner, Milton Caniff, Brian Walker, Black Panther, Krazy Kat, valuation of comics, International Museum of Cartoon Art, history, Dream Machine, Comics Stripped, National Cartoonist Society, Cartoon Museum UAE, criticism, AIGA, Masters of American Comics, Mort Walker, Manga Museum, Denis Kitchen, Cartoon Art Museum, Pierre Couperie, Walt Disney, High and Low, Museum of Sex, SOCCERLID, Toonseum, exhibit, gallery comics, Maus