Leseprobe
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Thanks to Life
Ericka Kim Verba
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The University of North Carolina Press 
Sachbuch / Biographien, Autobiographien
Beschreibung
Chilean musician and artist Violeta Parra (1917–1967) is an inspiration to generations of artists and activists across the globe. Her music is synonymous with resistance, and it animated both the Chilean folk revival and the protest music movement Nueva Canción (New Song). Her renowned song “Gracias a la vida” has been covered countless times, including by Joan Baez, Mercedes Sosa, and Kacey Musgraves. A self-taught visual artist, Parra was the first Latin American to have a solo exhibition at the Museum of Decorative Arts in the Louvre. In this remarkable biography, Ericka Verba traces Parra’s radical life and multifaceted artistic trajectory across Latin America and Europe and on both sides of the Iron Curtain.
Drawing on decades of research, Verba paints a vivid and nuanced picture of Parra’s life. From her modest beginnings in southern Chile to her untimely death, Parra was an exceptionally complex and talented woman who exposed social injustice in Latin America to the world through her powerful and poignant songwriting. This examination of her creative, political, and personal life, flaws and all, illuminates the depth and agency of Parra’s journey as she invented and reinvented herself in her struggle to be recognized as an artist on her own terms.
Kundenbewertungen
Latin American folk music, World Festival of Youth and Students, décimas, Chilean identity, Chilean popular culture, Latin American women composers, cultural exchange, autobiography, Andean music, Latin American popular culture, women performers, musical performance, music and transnationalism, Latin American protest music, Chilean new song, Latin American music in France, Museum of Decorative Arts, authenticity, transnationality, Latin American women artists, Chilean folk music, European exoticization of Latin America, cultural Cold War, Violeta Parra, music and globalization, Chilean folklore, canto a lo poeta, music and authenticity, folk revival, popular poetry, transnational biography, oral tradition, cultural Left, cultural Cold War in Latin America