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The Novel of Worldliness

Crebillon, Marivaux, Laclos, Stendhal

Peter Brooks

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ca. 49,99

Princeton University Press img Link Publisher

Belletristik / Essays, Feuilleton, Literaturkritik, Interviews

Beschreibung

Contending that a search for "realism" distorts the writing of Crébillon, Marivaux, Laclos, and Stendahl, Peter Brooks considers their novels with reference to the manner in which the characters explore their worth and pursue their own systems of relationships. The novels discussed are used as examples of the fictional exploitation of the drama inherent in man's social existence and the encounters of personal styles within the framework and code provided by a coterie which is an object of conscious cultivation for its own sake. The author gives detailed readings of the four authors’ works and moves backward to consider the seventeenth-century moralistes and the drawing rooms in which literary forms applied to social man were eloquently elaborated.

Originally published in 1969.

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Schlagwörter

Picturesque, Coutume, English novel, Victor Cousin, Stendhal, Novel of manners, Moral responsibility, Objective correlative, Melodrama, Lucien, Memoir, Etiquette, Jean-Jacques Rousseau, Quintilian, Lit de justice, Roland Barthes, Flattery, Molière, Sentimentalism (literature), Falsity, Formality, Aphorism, Ridicule, Civility, Classicism, Emotionalism, Ambivalence, Awareness, Of Education, Morality, Propaganda, Sentimental Education, Novelist, Novel, Literature, Comedy of manners, Indulgence, Sentimentality, Parody, Puritans, Treatise, Sensibility, Metonymy, Romanticism, Superiority (short story), Synecdoche, Touche, Individualism, Social realism, Platitude, Henri Bergson, Nathalie Sarraute, Courtly love, Lettre de cachet, Aesthetics, Politeness, Subjectivity, Eustache de Refuge, Le Fils naturel, Seriousness, Narrative, Mock-heroic, Religion, Armance (novel), Satire, Mutatis mutandis, Rodomontade, Illustration, Didacticism, Philosophy