Leseprobe
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William Carlos Williams and the Ethics of Painting
Terence Diggory
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Belletristik / Lyrik, Dramatik
Beschreibung
In Peter Brueghel's painting The Adoration of the Kings, the depiction of Joseph and Mary suggested to William Carlos Williams a paradigm for the relationship between poem and painting, reader and text, man and woman, that he had sought throughout his life to establish: a marriage that can acknowledge and withstand infidelity. Here Terence Diggory explores the meaning of this paradigm within the context of Williams's career and also of recent critical and cultural debate, which frequently assumes violence and oppression to be inherent in all forms of relationship. Williams's special attention to the art of painting, Diggory shows, put him in a position to challenge such assumptions. In contrast to the "ethics of reading" deduced by J. Hillis Miller from the premises of deconstruction, Diggory illuminates Williams's "ethics of painting" by applying Julia Kristeva's concepts of psychoanalytic transference and nonoppressive desire. The abstract or "objectless" space in which such desire operates is typified by modernist painting, for both Kristeva and Williams, but foreshadowed in the work of earlier artists such as Bellini and Brueghel.
Originally published in 1991.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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Truth claim (photography), Philosopher, The Physician, Literature, Sex differences in humans, Vocation (poem), Castration, Truth condition, The arts, Colloquialism, Philosophy, The Art of Painting, Western painting, Gilbert's syndrome, Theory, M. H. Abrams, Deontological ethics, Poet, Hart Crane, Analogy, Jacques Derrida, Beyond the Pleasure Principle, Essay, Allegory, Julia Kristeva, Painting, Surrealism, Narcissism, The Phenomenology of Spirit, Paul Gauguin, Critique, Poetry, Fra Angelico, The Nature of Truth, Theory of art, Griselda Pollock, Romanticism, The Ethics of Ambiguity, Rhetoric, Pieter Bruegel the Elder, Columbia University Press, Visual arts, Sublimation (psychology), Catachresis, Painting (Blue Star), Deconstruction, Jackson Pollock, Objectivity (philosophy), Objectivism (Ayn Rand), Epistemology, Correspondence theory of truth, Jacques Lacan, Marcel Duchamp, Psychoanalytic theory, Spring and All, Art history, Anatomy of Criticism, Writing and Difference, William Carlos Williams, André Breton, Christian, The Origin of the Work of Art, Literary theory, Psychoanalysis, Form of life (philosophy), Mirror stage, Nativity scene, Wilhelm Dilthey, Oedipus complex, American poetry