Leseprobe
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Music in the French Royal Academy of Sciences
Albert Cohen
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Geisteswissenschaften, Kunst, Musik / Musik
Beschreibung
This book describes a colorful period in French social and cultural history, during which music and science combined to provide the intellectual and aesthetic spirit of the Age of Enlightenment with an enormous vitality. Investigating the place assigned to music in France's preeminent scientific institution, the Paris Academy, the author shows the role played by the scientific movement in the evolution of musical thought prior to the Revolution.
Originally published in 1982.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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Philip Gossett, Revue, Georg Joseph Vogler, String instrument, Princeton University Press, Academician, Just intonation, Uppsala University, Joseph Sauveur, Musical composition, Motet, Scientist, Literature, Musical instrument, Jean-Jacques Rousseau, Monochord, Valet de chambre, Accademia del Cimento, Musical development, René Descartes, Keyboard instrument, National Endowment for the Humanities, Hans Schneider (mathematician), Musical notation, Theory and Practice, Denis Diderot, Institut de France, Marin Mersenne, Guitar, Bertrand Gille (historian), Pierre Gassendi, Clavichord, Jean le Rond d'Alembert, Pitch (music), Theory, Harpsichord, Conservatoire national des arts et métiers, Music therapy, Jacques de Vaucanson, Claude Perrault, Phonation, Pierre de Fermat, Ancient music, Solmization, American Council of Learned Societies, Treatise, Acoustics, Raymond Vieussens, Cello, Harpsichordist, Bernard Le Bovier de Fontenelle, Pythagorean tuning, Jacques Rohault, Mathematician, Technology, Analogy, Archives nationales (France), Le Juge, Music theory, La voix humaine, Jean Picard, British Library, Julien Le Roy, Writing, Louis Godin, Répertoire International des Sources Musicales, Publication, Musicology, Philidor, Art music