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Dante's Poets

Textuality and Truth in the COMEDY

Teodolinda Barolini

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Princeton University Press img Link Publisher

Belletristik / Lyrik, Dramatik

Beschreibung

By systematically analyzing Dante's attitudes toward the poets who appear throughout his texts, Teodolinda Barolini examines his beliefs about the limits and purposes of textuality and, most crucially, the relationship of textuality to truth.

Originally published in 1984.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Schlagwörter

Sonnet sequence, Geryon, Divine Comedy, Psychomachia, Shakespeare's sonnets, Folquet de Marselha, Thebaid (Greek poem), Supplication, A. E. Housman, Aphorism, La Vita Nuova, Planh, Parody, Remedia Amoris, Troilus and Criseyde, Dolce Stil Novo, Poetry, Contemptus mundi, Purgatorio, Razo, Satires (Horace), Pun, The Realist, Guido Cavalcanti, Farinata degli Uberti, Michael Scot, Ugolino della Gherardesca, Antonomasia, Sonnet, Tenso, Arnaut Daniel, John Donne, Juvenal, De vulgari eloquentia, Allegory, Thebaid (Latin poem), Satire, Averroes, Ars Poetica (Horace), Convivio, Aeneid, Canzone, Cavalcanti, Excursus, Invective, Autobiography, Cacciaguida, Malacoda, Giovinezza, Lodovico Castelvetro, Virgil, Poliziano, Epic poetry, Erudition, Forese Donati, Georgics, Sordello (poem), Sordello, Courtly love, Necromancy, Simile, Andreas Capellanus, Petrarch, Le Rime, Giacomo da Lentini, Scholasticism, Superiority (short story), Dante Alighieri, Hyperbole, Guido delle Colonne