Screening the Dark Side of Love
From Euro-Horror to American Cinema
Karen Randell, Karen A. Ritzenhoff
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Geisteswissenschaften, Kunst, Musik / Fotografie, Film, Video, TV
Beschreibung
How can love be understood globally as a problematic transgression rather than the narrative of "happy endings" that Hollywood has offered? The contributors utilize varying methodologies of textual analysis, psychoanalytic models, and cultural critique and engage with a broad range of films to explore issues of gender identity and spectatorship.
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Schlagwörter
cinema, Hollywood, identity, anxiety, emotion, gender