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We the Young Fighters

Pop Culture, Terror, and War in Sierra Leone

Marc Sommers

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University of Georgia Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Pädagogik

Beschreibung

We the Young Fighters is at once a history of a nation, the story of a war, and the saga of downtrodden young people and three pop culture superstars. Reggae idol Bob Marley, rap legend Tupac Shakur, and the John Rambo movie character all portrayed an upside-down world, where those in the right are blamed while the powerful attack them. Their collective example found fertile ground in the West African nation of Sierra Leone, where youth were entrapped, inequality was blatant, and dissent was impossible.

When warfare spotlighting diamonds, marijuana, and extreme terror began in 1991, military leaders exploited the trio’s transcendent power over their young fighters and captives. Once the war expired, youth again turned to Marley for inspiration and Tupac for friendship.

Thoroughly researched and accessibly written, We the Young Fighters probes terror-based warfare and how Tupac, Rambo, and—especially—Bob Marley wove their way into the fabric of alienation, resistance, and hope in Sierra Leone. The tale of pop culture heroes radicalizing warfare and shaping peacetime underscores the need to engage with alienated youth and reform predatory governments. The book ends with a framework for customizing the international response to these twin challenges.

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Schlagwörter

gender, transitional justice, Adama Cut Hand, West Side Boys (WSB), Tupac Shakur, action films, girl captives, West Africa, colonialism, Kamajor, Small Girls Unit (SGU), amputations, atrocity, Arnold Schwarzenegger, Muammar Gaddafi, blood diamonds, Burkina Faso, human rights, Joseph Momoh, ECOMAG, Frreetown, hip hop, Superman, Foday Sankoh, Terrorism, reconciliation, Gullit, NPRC, New Wars, Sierra Leonean youth, SAJ Musa, boy soldiers, Julis Maada Bio, child soldiers, Executive Outcomes, sexual violence, ECOWAS, dirty warfare, sex slavery, gender empowerment, violent extremism, Five-Five, Lome Peace Accord, girl soldiers, alienation, NPFL, cocaine, Gambia, Low intensity conflict (LIC), Liberia, Chuck Norris, Johnny Paul Koroma, reggae, Sylvester Stallone, civil war, child soldier indoctrination, Bunny Wailer, Special Court for Sierra Leone, Abidjan Peace Accord, children, Valentine Strasser, Burning Spear, terror warfare, war films, Revolutionary United Front (RUF), Sierra Leone, John Rambo, rap music, Sobel, peacebuilding, post-war, Dennis Mingo, Mystic, Siaka Stevens, Drugs, trauma, Africa, Armed Forces Revolutionary Council (AFRC), humanitarianism, Sam Bockarie, Sierra Leone Army (SLA), commando, marijuana, refugees, Paramount Chief, marriage, Blaise Campaore, Truth and Reconciliation Commission (TRC), slavery, Civil Defense Forces, Bob Marley, Small Boys Unit (SB), child soldier training, Charles Taylor, Joe Hill, Sandline, Ahmed Tejan Kabbah