Rear Window

The Making of a Hitchcock Masterpiece in the Hollywood Golden Age

Jennifer O'Callaghan

EPUB
ca. 24,99 (Lieferbar ab 30. September 2025)

Citadel Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Theater, Ballett

Beschreibung

The definitive, in-depth look inside the making of Alfred Hitchcock’s Rear Window—the all-time classic of voyeurism, paranoia, and murder that became one of Hollywood’s greatest achievements and turned generations of viewers into “a race of Peeping Toms.” . . .

Before the internet and social media offered voyeuristic glimpses into the lives of others, the acclaimed Master of Suspense, Alfred Hitchcock, exposed the dangers and delights of looking—and knowing—too much in his 1954 masterpiece Rear Window. Widely hailed as one of the greatest films ever made, it stars James Stewart and Grace Kelly at the top of their game but, in an unusual gamble, is shot entirely from within a Greenwich Village apartment . . .

Using this limited point of view, Hitchcock forces his audience to participate in his protagonist’s voyeuristic impulses and darkest obsessions—a bold move in the era of the Hollywood Blacklist and restrictive Hays Code. But the gamble paid off, and Rear Window became a timeless classic.

This eye-opening book goes straight to the source of Rear Window’s genius by mining the original papers of Hitchcock, Jimmy Stewart, and Thelma Ritter, revealing little-known facts behind the scenes: Why taking the role of Lisa Fremont was one of the toughest decisions Grace Kelly ever made; How Hitchcock intertwined suspense and romance with inspiration from Ingrid Bergman; How he used a topless scene to distract the censors from other scenes to which they may have objected; and how Hitchcock crafted the film’s unforgettable villain, Lars Thorwald, by modeling him on a producer he loathed—the infamous David O. Selznick.

Filled with eye-catching photographs, outrageous anecdotes, and delicious details, this exciting book pulls back the curtain on a classic thriller that’s as relevant today as ever—and every bit as thrilling.

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Schlagwörter

David O. Selznick, Hollywood, loneliness, Thelma Ritter, John Michael Hayes, NYC, Franz Waxman, suspense movie, thriller, Wendell Corey, Georgine Darcy, history of rear window, Hollywood Golden Age, blockbuster movies, Ingrid Bergman, Cornell Woolrich, Rear Window, Raymond Burr, nonfiction film history, New York City, history of cinema, Edith Head, film history, hollywood tales, Alfred Hitchcock, Sheldon Abend, entertainment, murder, Prince Rainier III, film, classic film chronicles, mass media, movies, Grace Kelly, making of rear window, Alma Hitchcock, set design, The Big Goodbye, cinephiles, hollywood behind the curtain, The Way They Were, Hitchcock, James Stewart, Jimmy Stewart, hit movies, film studies, golden age of hollywood, Greenwich Village, film buffs, media, cinema, paranoia, cultural studies, Anita Colby, hitchcock behind the curtain, suspense, Gloria Hatrick McLean, film history books, hollywood gossip, movie soundtrack, peeping tom, movie industry, urban thriller, voyeurism, Golden Age, movie design, Francois Truffaut, Pictures at a Revolution, true hollywood tales