Leseprobe
* Affiliatelinks/Werbelinks
Links auf reinlesen.de sind sogenannte Affiliate-Links. Wenn du auf so einen Affiliate-Link klickst und über diesen Link einkaufst, bekommt reinlesen.de von dem betreffenden Online-Shop oder Anbieter eine Provision. Für dich verändert sich der Preis nicht.
Joyless Streets
Patrice Petro
* Affiliatelinks/Werbelinks
Links auf reinlesen.de sind sogenannte Affiliate-Links. Wenn du auf so einen Affiliate-Link klickst und über diesen Link einkaufst, bekommt reinlesen.de von dem betreffenden Online-Shop oder Anbieter eine Provision. Für dich verändert sich der Preis nicht.
Geisteswissenschaften, Kunst, Musik / Theater, Ballett
Beschreibung
Patrice Petro challenges the conventional assessment of German film history, which sees classical films as responding solely to male anxieties and fears. Exploring the address made to women in melodramatic films and in popular illustrated magazines, she shows how Weimar Germany had a commercially viable female audience, fascinated with looking at images that called traditional representations of gender into question.
Interdisciplinary in her approach, Petro interweaves archival research with recent theoretical debates to offer not merely another view of the Weimar cinema but also another way of looking at Weimar film culture. Women's modernity, she suggests, was not the same as men's modernism, and the image of the city street in film and photojournalism reveals how women responded differently from men to the political, economic, and psychic upheaval of their times.
Kundenbewertungen
Social class, Gender identity, Martin Heidegger, Photography, Androgyny, Fritz Kortner, Asta Nielsen, Mode of production, Film theory, Pathos, Siegfried Kracauer, Psychology, Kathleen Woodward, Henny Porten, Literature, Louise Brooks, Theory, Patriarchy, Die Dame, Art history, Eroticism, Ambiguity, Sexual identity, Melodrama, Role reversal, Thomas Elsaesser, Postmodernism, Caryl, Gender role, New German Critique, Film, Politics, Mary Ann Doane, Bisexuality, Masculinity, Modernity, Thought, Linda Williams (film scholar), Voyeurism, Silent film, Photojournalism, Princeton University Press, Illustration, Weimar culture, Walter Benjamin, Narrative, Feminism (international relations), Acting, Ambivalence, Woman's film, Emil Jannings, Psychoanalysis, Writing, Prostitution, The Various, Fine art, Kammerspielfilm, Subjectivity, Femininity, Human female sexuality, Film criticism, Filmmaking, Modernism, Newspaper, Nazi Germany, From Caligari to Hitler, Berliner Illustrirte Zeitung, The Erotic, Feminist theory, Art film