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From Caligari to Hitler

A Psychological History of the German Film

Siegfried Kracauer

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Princeton University Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Theater, Ballett

Beschreibung

An essential work of the cinematic history of the Weimar Republic by a leading figure of film criticism

First published in 1947, From Caligari to Hitler remains an undisputed landmark study of the rich cinematic history of the Weimar Republic. Prominent film critic Siegfried Kracauer examines German society from 1921 to 1933, in light of such movies as The Cabinet of Dr. Caligari, M, Metropolis, and The Blue Angel. He explores the connections among film aesthetics, the prevailing psychological state of Germans in the Weimar era, and the evolving social and political reality of the time. Kracauer makes a startling (and still controversial) claim: films as popular art provide insight into the unconscious motivations and fantasies of a nation.

With a critical introduction by Leonardo Quaresima which provides context for Kracauer’s scholarship and his contributions to film studies, this Princeton Classics edition makes an influential work available to new generations of cinema enthusiasts.

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Schlagwörter

Heinrich Mann, Nazism, Henrik Galeen, Humiliation, Melodrama, New Objectivity, Criticism, E. T. A. Hoffmann, Asta Nielsen, Intertitle, Affair, Narration, Nazi propaganda, Multitude, World War I, Henny Porten, Leni Riefenstahl, Brothel, Mountain film, Resentment, Freikorps, Pacifism, Propaganda film, Symptom, Social criticism, Nazi Germany, Unrest, Entertainment, Middle class, Karl Freund, Werner Krauss, Film industry, Newsreel, Robert Wiene, Emil Jannings, Optimism, Lighting, Photography, War film, Silent film, Film, Movie theater, Fritz Lang, Pola Negri, Suffering, Curator, Determination, Filmmaking, Acting, Ideology, Documentary film, Close-up, Faust, Frederick the Great, Illustration, Ambiguity, Suggestion, Farce, Satire, Illus, Carl Mayer, Operetta, Episode, Literature, Misery (novel), Sadness, Subtitle (captioning), Thea von Harbou, Gerhart Hauptmann, Narrative