Leseprobe
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Artists in the Audience
Greg Taylor
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Sozialwissenschaften, Recht, Wirtschaft / Medienwissenschaft
Beschreibung
Gone with the Wind an inspiration for the American avant-garde? Mickey Mouse a crucial source for the development of cutting-edge intellectual and aesthetic ideas? As Greg Taylor shows in this witty and provocative book, the idea is not so far-fetched. One of the first-ever studies of American film criticism, Artists in the Audience shows that film critics, beginning in the 1940s, turned to the movies as raw material to be molded into a more radical modernism than that offered by any other contemporary artists or thinkers. In doing so, they offered readers a vanguard alternative that reshaped postwar American culture: nonaesthetic mass culture reconceived and refashioned into rich, personally relevant art by the attuned, creative spectator.
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Aestheticism, A Man to Remember, Anamorphosis, Fandom, High culture, Cubism, Melodrama, Auteur theory, Dumbing down, Sensibility, Extravaganza, Art critic, Film theory, Dziga Vertov, Ideology, Romanticism, Art for art's sake, Narrative, Marcel Duchamp, Postmodernism, Highbrow, Highbrow (Transformers), Electra complex, Robert Aldrich, Lionel Barrymore, Surrealism, Pop art, Film criticism, Male gaze, Acting, George Herriman, Artistic merit, ADAPT, Media culture, Genre, Narcissism, Art criticism, Iconoclasm, Art movement, Modernism, Fine art, The Cameraman, Cultural critic, Theory of art, Narratology, Art, Avant-garde, Middlebrow, Criticism, The Erotic, Counterculture, Parker Tyler, The Critic as Artist, Cult following, Popular culture, Theodore Dreiser, Luc Moullet, Filmmaking, Sophistication, Spectacle, Subtext, Footage, Art film, Kitsch, Aesthetic Theory, Work of art, popular art, Abstract expressionism, Film Culture, Manny Farber