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Hollywood Be Thy Name

African American Religion in American Film, 1929–1949

Judith Weisenfeld

PDF
ca. 35,99

University of California Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Theater, Ballett

Beschreibung

From the earliest years of sound film in America, Hollywood studios and independent producers of "race films" for black audiences created stories featuring African American religious practices. In the first book to examine how the movies constructed images of African American religion, Judith Weisenfeld explores these cinematic representations and how they reflected and contributed to complicated discourses about race, the social and moral requirements of American citizenship, and the very nature of American identity.

Drawing on such textual sources as studio production files, censorship records, and discussions and debates about religion and film in the black press, as well as providing close readings of films, this richly illustrated and meticulously researched book brings religious studies and film history together in innovative ways.

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Schlagwörter

cinema, censorship records, american citizenship, african american religious practices, american identity, race in america, moral landscape, african american religion, history, american film culture, independent filmmakers, movie studies, movies, film studies, american film history, sound film, religious, hollywood studios, race films, movie history, wartime, hollywood, film, studio production films, african american films, racial authenticity, film history, cultural studies, religion and film