Leseprobe
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Christmas Music from Baroque Mexico
Robert Stevenson
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University of California Press 
Geisteswissenschaften, Kunst, Musik / Religion/Theologie
Beschreibung
Christmas Music from Baroque Mexico is an extraordinary compilation of seventeenth- and eighteenth-century Christmas music, now preserved thanks to the landmark acquisition of the Sánchez Garza Collection by Mexico’s Secretaría de Educación Pública. The collection, housed within the Mexican National Institute of Fine Arts, encompasses 276 rare manuscripts, including Christmas villancicos and other baroque compositions by both New World and Peninsular composers. These works capture a blend of European musical forms with indigenous and folk influences, representing a unique convergence of cultural expressions in colonial Mexico. This volume not only brings these compositions to light but also features transcriptions of twelve musical examples directly from the Sánchez Garza manuscripts, with additional pieces from the archives of Puebla Cathedral.
The Sánchez Garza Collection stands as a significant artifact of Mexico’s colonial musical heritage. With pieces like Salazar’s negro, Vaeza’s negriya, and Ximeno’s gallego, the collection reveals a fascinating infusion of ethnic and folk characteristics within baroque traditions. Originally held by the Holy Trinity Convent in Puebla, these manuscripts survived untouched until their acquisition by the historian Jesús Sánchez Garza, whose dedication preserved them for posterity. Through the meticulous work of the Instituto Nacional de Bellas Artes, this volume offers an invaluable resource for ethnomusicologists, historians, and anyone interested in the deep cultural history and artistry of Baroque Mexico.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.
